work list  

WORKS WITHOUT OPUS : INDEXED WORKS | UNINDEXED WORKS
      WORKS WITH OPUS : 01-05 | 06-10 | 11-15 | 16-20 | 21-25
                                      26-30 | 31-35 | 36-40 | 41-45 | 46-50
                                      51-55 | 56-60 | 61-65 | 66-70 | 71-74 

 

Fantasie-Impromptu op. 66 (posth.)

for pianoforte in C sharp minor, Op. 66 (Br. 87) composed in 1834

        composed for Madame la Baronne d'Este

Mazurka op. 67, 1 (posth.)

for pianoforte in G Major, Op. 67, 1 (Br. 93) composed in 1835

        dedicated to Anna Mlokosiewicz

Mazurka op. 67, 2 (posth.)

for pianoforte in G minor, Op. 67, 2 (Br. 167) composed in 1849/summer

Mazurka op. 67, 3 (posth.)

for pianoforte in C Major, Op. 67, 3 (Br. 93) composed in 1835

        dedicated to Alexander Hoffmann

Mazurka op. 67, 4 (posth.)

for pianoforte in A minor, Op. 67, 4 (Br. 163) composed in 1846

There are three versions.

Mazurka op. 68, 1 (posth.)

for pianoforte in C Major, Op. 68, 1 (Br. 38) composed in 1829

Mazurka op. 68, 2 (posth.)

for pianoforte in A minor, Op. 68, 2 (Br. 18) composed in 1827

Mazurka op. 68, 3 (posth.)

for pianoforte in F Major, Op. 68, 3 (Br. 34) composed in 1829

The section 'poco piu vivo' is from the folk-tune 'Oj Magdalino'

        three mazurkas Op.68-1,2,3 dedicated to Emily Elsner

Mazurka op. 68, 4 (posth.)

for pianoforte in F minor, Op. 68, 4 (Br. 168) composed in 1849/summer

Waltz op. 69, 1 (posth.) ('L'Adieu Waltz')

for pianoforte in A Flat Major, Op. 69, 1 (Br. 95) composed in 1835/9/24

        dedicated to Mademoiselle Maria Wodzinska

Waltz op. 69, 2 (posth.)

for pianoforte in B minor, Op. 69, 2 (Br. 35) composed in 1829

        dedicated to Wilhelm Kolberg

Waltz op. 70, 1 (posth.)

for pianoforte in G Flat Major, Op. 70, 1 (Br. 92) composed in 1835

Waltz op. 70, 2 (posth.)

for pianoforte in F minor, Op. 70, 2 (Br. 138) composed in 1841/6

        dedicated to Elise Gavard

Waltz op. 70, 3 (posth.)

for pianoforte in D Flat Major, Op. 70, 3 (Br. 40) composed in 1829/10/3

        dedicated to Emily Elsner