WORKS WITHOUT OPUS : 
			INDEXED WORKS | UNINDEXED WORKS
			   WORKS WITH OPUS : 01-05 | 
			06-10 | 11-15 | 
			16-20 | 21-25
			
                    
			26-30 | 
			31-35 | 36-40 | 41-45 | 
			46-50 
                    
			51-55 | 56-60 | 
			61-65 | 66-70 | 
			71-74 
			
			
			 
			Impromptu no. 2 op. 36 
			
			for pianoforte in F Sharp Major, Op. 36 (Br. 129, 
			KK. 581-587) 
			
			composed in 1839/autumn early, published in 1840
			 
 
			
				
					
					"Please read, 
					and immediately send that fool a letter. That wretched 
					Wessel, I shall no longer send him, that Agr�ment au Salon, 
					anything ever. Perhaps you do not know that this is how he 
					called my second impromptu..." - From a letter sent by 
					Chopin to Fontana in Paris, Nohant 18 Sep 1841
				
			
			Nocturne op. 37, 1 
			
			for pianoforte in G minor, Op. 37, 1 (Br. 119, 
			KK. 588-600) 
			
			composed in 1838, published in 1840
			
			Nocturne op. 37, 2 
			
			for pianoforte in G Major, Op. 37, 2 (Br. 127, 
			KK. 588-600) 
			
			composed in 1839/7/2, published in 1840
			 
 
			
				
					
					"I have a new 
					nocturne in G major, which will form a pair with the one in G 
					minor." - From a letter sent by Chopin to Fontana in Paris, 
					Nohant 8 Aug 1839
				
			
			Ballade no. 2 op. 38 
			
			for pianoforte in F Major, Op. 38 (Br. 102, 
			KK. 601-609) 
			
			composed in 1836 1st version, 1839/1 final version, published in 
			1840
			 
 
			
			        
  dedicated to his friend Robert Schumann
			
				
					
					"The passionate 
					episodes seem to have been added later. I recall precisely, 
					that while playing the ballade, Chopin ended it in F major; 
					now it ends in A minor." - Robert Schumannn, Gesammethe 
					Musik und Musiker, Leipzig 1888 vol 3
					
					"Madame Viardot told me that Chopin frequently played the 
					opening Andantino but never that what follows." - Camile 
					Saint-Saens, Etude des variantes, Paris 1882
				
			
			
			
			Scherzo no. 3 op. 39 
			
			for pianoforte in C sharp minor, Op. 39 (Br. 125, 
			610-614) 
			
			composed in 1839/1 - 1839/mid, published in 1840
			 
 
			        
  dedicated to Adolf Gutmann
			
				
					
					"Do not mention 
					the scherzo to anyone. I do not know when I shall finish it, 
					since I am still weak and unable to write." - From a letter 
					by Chopin to Fontana in Paris, Marseilles 17 Mar 1839
					
					"The scherzo is dedicated to Gutmann, and the chord in the 
					bass is probably conceived for his hand, that of a fencing 
					master. This chord cannot be spanned by any left hand (D# F# 
					B D# F# bar 6)." - Wilhelm von Lenz, Die grossen pianoforte, 
					Virtuosen unserer Zeit, Berlin 1872
				
			
			Polonaise op. 40, 1 
			
			for pianoforte in A Major, Op. 40, 1 (Br. 120, 
			615-625) 
			
			composed in 1838/10, published in 1840
			 
 
			Polonaise op. 40, 2 
			
			for pianoforte in C minor, Op. 40, 2 (Br. 121, 
			KK. 615-625) 
			
			composed in 1838/10 (sketch) 1839/early (finished), published in 
			1840
			
			        
   
			two polonaises 
			dedicated to Julian Fontana  
			
				
					
					"You will find 
					an answer to your sincere and true letter in the second 
					Polonaise." - From Chopin's letter to Fontana in Paris, 
					Marseilles 17 Mar 1839
					
					"As for the polonaise I promise. But I'll keep changing the 
					second part for you till I drop. Maybe you don't like 
					yesterday's version. I racked my brains over it for all of 
					80 seconds." - From Chopin's letter to Fontana, Nohant 8 Oct 
					1839
				
			
			
	
	 
   
	
	
			
	
	
	_________________________________________________________________
	
	CHOPIN : THE POET OF THE PIANO - � by Anh Tran. All rights reserved
		Home | 
		News | 
		Bio | 
		Quote | 
		Image | 
		Worklist | 
		Music |
		Pianists | 
		Links |
		
	Forum
		Tune | 
		Quiz | 
		Q&A | 
		Vote | 
		Contest | 
		Hall of fame | 
		Guest | 
		About me | 
		Sitemap