WORKS WITHOUT OPUS : 
			INDEXED WORKS | UNINDEXED WORKS
			  
			WORKS WITH OPUS : 01-05 | 
			06-10 | 11-15 | 
			16-20 | 21-25
			
                    
			26-30 | 
			31-35 | 36-40 
			| 41-45 | 46-50
			
                    
			51-55 | 56-60 | 
			61-65 | 66-70 | 
			71-74 
			
			 
			Works without opus in 
			this section are not indexed by Maurice J. E. 
			Brown. All works are arranged in chronological order. 
			
			Two Polonaises
			for pianoforte, 
			composed in 1818 
			
			
				- works are lost! 
				They have been 
    presented by Chopin to the Empress Maria Teoderowna, mother of the Czar, on 
    the occasion of her visit to Warszawa on 26 Sep 1818. 
Variations 
			
			for pianoforte, 
			composed in 1818 
			
			
				- work is lost! It's mentioned 
    in the "Pamietnik Warzawski" of 1818 
Polonaise 'Barber of Seville'
  			
			for pianoforte, 
			composed in 1825/11 
			
			
				- work is lost! 
				
				"I have done a new Polonaise on the "Barber" 
    which is fairly well liked. I think of sending it to be lithographed 
    tomorrow." - From a letter sent by Chopin to Bialoblocki, Nov 1825
			
			Variations 
			
			for pianoforte & pianoforte in 
  F Major, composed in 1826 
			
				- work is lost! Listed by 
    Louise Chopin 
Variations on an Irish 
  National Air (from Thomas Moore) 
			for pianoforte & pianoforte 
			in D major, composed in 1826 
			
			
			
			Waltz 
			for pianoforte in C Major, 
			composed in 1826 
			
				- work is lost! 
				
Waltz 
			for pianoforte in A 
			Flat Major, composed in 1827
			
				- work is lost! 
				
Waltz 'La partenza' (The 
    departure) 
			for pianoforte in D minor, 
			composed in 1828 
			
				- work is lost! 
				
Allegretto
			for pianoforte in F 
			Sharp Major,
			composed in 1829 (?)
			
			
			
				
				dedicated 
    to Mademoiselle Leopoldyna Blahetka
				this work was not 
				indexed and the exact year of composition is unknown around 1829
			
			
				
					
					"My manner of 
					playing, which once again was much appreciated by the 
					ladies, and especially by Miss Blahetka, Vienna's foremost 
					lady pianist, who must have admired me when, on parting, she 
					gave me as a keepsake a hand-signed composition of her own." 
					- From a letter sent by Chopin to Tytus Woyciechowski in 
					Poturzyn, Warsaw 12 Sep 1829
"I became acquainted with this composition in Vienna in the 
					year of 1857; it was commonly held there (as the publisher 
					himself stated) to have come from the album of the former 
					pianist Leopoldyna Blahetka." - From a letter sent by Oskar 
					Kolberg to Maurycy Karasowski in Poznan, Krak�w, 12 Apr 1885
				
			
			Waltz
			for pianoforte in E 
			Flat Major, composed in 1829-30 
			
				- work is lost! 
				
Waltz
			for pianoforte in 
  A Flat Major, composed in 1830/12 (?) 
			
				- work is lost! We know about 
    it from a letter Chopin wrote on 12/21/1830 from Vienna to his family.
    			
Variations for voice 
			on a song of Antoni Radziwill
			for voice & pianoforte & pianoforte, 
			composed in 1830 
			
			
				- no copy of this 
				publication is known 
 the work was kept private by Frederic Chopin
Mazurka "Wolowska"
			for pianoforte in F 
			Sharp Major, composed in 1840-45
			
				- by Charles Mayer
Mazurka 
			for pianoforte in B 
			flat minor, composed in 1832
			
				- This work has 
				not been published. Chominski index is 103
Andantino animato
			for pianoforte in F 
			Major, 
			composed in 1845
			
				- no copy of this 
				publication is known 
Two sacred works 
				on the Veni Creator
			for pianoforte, 
			composed in 1846
			
				- work is kept 
				private! Marriage of Bohdan Zaleski et Zofia Rosengardt
Galop Marquis
			for pianoforte in A 
			Flat Major (KK. 1240a), composed in 1846
			
			
			
				Marquis and Dib 
				were the names of George Sand's dogs. This musical joke was 
				composed during Chopin's stay at Nohant.
				
					
					"That little dog 
					Marquis has stayed with me. It's lying on my sofa. An 
					extraordinary creature: its wool's like marabou, white as 
					white, Ms S tends to it herself every day; so it's as bright 
					as it can be" - From a letter sent by Chopin to his family 
					in Warsaw, Nohant 11 Oct 1846
"Marquis is acting too. The costumes get him tremendously 
					excited. He take part in the action, jumps to the arms of 
					people being murdered, weeps at the feet of those singing 
					romances and at the end dances a "pas de deux" with Lambert. 
					He takes the play seriously and feels all the emotions of 
					the audience." - From a letter by George Sand to Emanuel 
					Arago, Nohant 9 Dec 1846
"Did yesterday's pantomime induce Dib to dance?" - From a 
					letter sent by Chopin to George Sand at Nohant, Paris 15 Dec 
					1846
"I can just imagine the emotions of Marquis and Dib. Happy 
					viewers, naive and unrefined." - From a letter sent by 
					Chopin to George Sand at Nohant, Paris 17 Jan 1847
				
			
			Prelude
			for pianoforte in F major
			
				- the year of 
				composition is unknown 
Nocturne oubli�e
			for pianoforte in C 
			sharp minor
			
			
			
				- the year of 
				composition is unknown 
Prelude "Devil's 
			trills"
			for pianoforte in E 
			flat minor
			
			
			
				- the year of 
				composition is unknown 
Waltz 
				m�lancolique
			for pianoforte in F 
			Sharp Major
			
			
				- the year of 
				composition is unknown 
	 
   
	
	
			
	
	
	_________________________________________________________________
	
	CHOPIN : THE POET OF THE PIANO - � by Anh Tran. All rights reserved
		Home | 
		News | 
		Bio | 
		Quote | 
		Image | 
		Worklist | 
		Music |
		Pianists | 
		Links |
		
	Forum
		Tune | 
		Quiz | 
		Q&A | 
		Vote | 
		Contest | 
		Hall of fame | 
		Guest | 
		About me | 
		Sitemap